Syracuse, NY – Syracuse Stage offers a rare opportunity to see a world premiere musical when Brian Quijada’s uplifting and lively “Somewhere Over the Border” takes the stage Feb. 23 – March 13. Tickets and information at www.syracusestage.org and at the Box Office (315-443-3275). The world premiere is co-produced with Geva Theatre Center in Rochester, New York, and Teatro Vista, Theatre with a View in Chicago.
“Somewhere Over the Border” is based on the true story of Quijada’s mother Reina and the journey she took from El Salvador to the United States as a teenager alone in the 1970s. The playwright explained that at age 16, Reina got pregnant and had a baby she named Fernando. Not long after, Reina left El Salvador hoping to cross the Mexican-U.S. border in the hope of finding a better life for herself and her baby. She thought she would be gone for a few weeks. It was ten years before she could return to El Salvador and bring Fernando to the U.S.
Although he had known about his mother’s journey all his young life, Quijada did not learn many of the details until he was an adult. In a long phone conversation, Reina told him the full story of traveling through Guatemala and all of Mexico, of the people she met along the way, of taking three nights to cross the desert and of crossing the border hidden in the back of a pick-up truck. As he listened, he realized the tale she told him reminded him of a famous story, “The Wizard of Oz.”
Quijada describes “Somewhere Over the Border” as a mash-up of the story of his mother’s journey and “The Wizard of Oz.” The structure borrows from the famous musical and the characters Reina meets on her journey are inspired in part by the real people she met and the Scarecrow, The Tin Man and The Cowardly Lion. The wizard they seek who will grant their wish to cross the border is El Gran Coyote de Tijuana. The music embraces a variety of styles from Cumbia to Hip Hop to musical theater. Quijada said he sees “Somewhere Over the Border” as very much in the tradition of American musical theater.
“A lot of the music in the show is representative of the music of the region,” Quijada said. “We tried to infuse even the instrumentation with the music of the specific region that she’s in and keep it all under the umbrella of musical theater. ‘Somewhere Over the Border’ is a nod to ‘Somewhere Over the Rainbow,’ so it has the style of the American musical. It’s a very traditional, accessible form.”
The mix of musical styles not only helps locate Reina throughout her journey, it keeps the experience fresh for the audience, Quijada explained. “As she makes her way up, the music changes, so it’s really cool, not only to look at it dramaturgically in terms of what influence the music has, but it’s also a lot of fun because you’re always hearing something new all along the way,” he said.
A cast of six and an on stage band of four musicians bring “Somewhere Over the Border” to life. All are new to Syracuse Stage and have depth and breadth of experience from Broadway to regional theater to performing with such musical greats as Aretha Franklin and Tito Puente.
Also new to Syracuse Stage are director Rebecca Martínez, music director Julián Mesri and members of the creative team: scenic designer Tanya Orellana, costume designer Asa Benally, lighting designer Jennifer Fok, dramaturg Kristin Leahey and associate director Sofia Ubilla. Syracuse Stage veteran Jacqueline R Herter is the sound designer.
“I am excited to welcome so many inventive and inspiring artists to Syracuse Stage,” said Bob Hupp, Syracuse Stage artistic director. “It’s an honor for us to be a part of the creation of ‘Somewhere Over the Border’ and to share our first world premiere musical with Central New York. There are universal truths revealed in this very personal story. This journey is what makes live theatre such a special and singular experience.”
In a note she wrote for the show program, Martínez pointed out the qualities that strike her about Reina and so many others who have left their homes and risked dangerous journeys to find better lives for themselves and their children: determination, resilience, courage, love, hope and joy.
Quijada shares her perspective and noted that “Somewhere Over the Border” recounts the three most difficult times in his mother’s life: leaving Fernando, spending three nights crossing the desert and reuniting with Fernando after ten years.
“There’s a lot of sadness associated with these stories, a lot of death,” he said. “But there’s also joy. It’s important to remember that each of these stories begins with hope.”
Syracuse Stage Covid-19 Safety Guidelines
At the door, audience members five years old and older will be required to show proof of full vaccination, or for those not vaccinated, a negative Covid-19 test result. For children under five, proof of negative test is strongly encouraged but not required for entry to the theatre.
A valid negative Covid-19 test must meet the following conditions: A negative PCR test from a healthcare provider within 72 hours of entry for the event you are attending or a negative Antigen test from a healthcare provider within 6 hours of entry for the event you are attending.
Vaccination verification accepted in any of the following forms: physical vaccination card, New York State Excelsior Pass, digital vaccination cards through your home Health Department or photo of vaccination card. Full vaccination means that either 14 days have passed since receiving the second dose of FDA or WHO authorized double-dose vaccines or that 14 days have passed since receiving the sole dose of FDA or WHO authorized single-dose vaccines.
Without vaccination proof or a negative Covid-19 test, patrons will not be allowed into the building.
Masks are required at all times by everyone regardless of vaccination status, except while eating or drinking in designated areas. Food and drink will not be permitted in the auditorium.
By Brian Quijada
Originally produced by Syracuse Stage, Geva Theatre Center and Teatro Vista, Theatre with a View
Directed by Rebecca Martínez
Music directed by Julián Mesri
Special Events
February 23 M&T Bank Pay-What-You-Will Performance @ 7:30 p.m.
There will be 76 tickets available for whatever price patrons wish to pay. Pay-what-you-will tickets must be claimed in person at the Box Office or by phone on the day of the performance, subject to availability. The Box Office opens at 10 a.m. and will remain open until the start of the show. There is a limit of four tickets per person.
February 27 Prologue at 1 p.m. (free for ticket holders at 2 p.m. performance)
A pre-show discussion with Syracuse Stage artistic director Robert Hupp one hour prior to curtain. Prologues will be held in the Archbold Theatre.
February 27 Actor Talkback (free for ticket holders at 7:30 p.m. performance)
A Q&A session with the actors following the 7:30 p.m. performance. The talkback will be held in the Archbold Theatre.
March 2 Virtual Wednesday @ 1
Enjoy a virtual lecture from Lamis E. Abdelaaty, Ph.D., assistant professor, political science, at the Maxwell School of Citizenship and Public Affairs at Syracuse University. Her research and teaching interests include international relations, human rights and humanitarianism, and asylum and migration. Her book, “Discrimination and Delegation: Explaining State Responses to Refugees” (Oxford University Press, 2021), asks why countries open their borders to some refugees while blocking others, and why a number of countries have given the United Nations control of asylum procedures and refugee camps on their territory. The talk will address themes found throughout “Somewhere Over the Border” and will be hosted by Resident Playwright Kyle Bass.
The Wednesday @ 1 lecture will premiere on March 2 at 1 p.m. online at www.SyracuseStage.org, where it will remain available for viewing through the run of the show.
March 2 Open Captioning at 2 p.m. Performance – for patrons who are deaf/hard of hearing.
March 5 Prologue at 1 p.m. (free for ticket holders)
A pre-show discussion with Syracuse Stage artistic director Robert Hupp one hour prior to curtain. Prologues will be held in the Archbold Theatre.
March 5 ASL Interpreted Performance at 2 p.m. for patrons who are deaf or hard of hearing.
March 10 Prologue at 6:30 p.m. (free for ticket holders)
A pre-show discussion with Syracuse Stage artistic director Robert Hupp one hour prior to curtain. Prologues will be held in the Archbold Theatre.
March 12 Audio Described Performance at 2 p.m. for patrons who are blind or visually impaired.
March 12 Open Captioning at 7:30 p.m. performance for patrons who are deaf or hard of hearing.
March 13 Open Captioning at 2 p.m. performance for patrons who are deaf or hard of hearing.
